Monday- Essays are
due.
All Classes will attend Part 2 of the Arizona Youth
Partnerships Program.
Tuesday- All students will complete the journal for the first ten
minutes of class.
Seniors will read Kurt Vonnegut’s
satirical short story, “Harrison Bergeron” to illustrate the use of literary
contradictions. Students will identify
the theme of the story and how the use of irony reveals the point of view in a
five paragraph essay.
Juniors will read an essay by
William Safire and identify how the author analyzes the deeper meaning of
words, especially contemporary language shifts and write an essay explaining
such.
Wednesday-
Seniors will register for FAFSA
using IPADS.
Juniors
will take the ASVAB.
Thursday- All
students will complete the journal for the first ten minutes of class.
Seniors will watch the theatrical
interpretation of Kurt Vonnegut’s satirical short story, “Harrison Bergeron.”
Juniors will read a variety of
editorials to determine the tone of the writer using SOAPS Tone Handout.
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HARRISON BERGERON
by Kurt Vonnegut, Jr.
THE YEAR WAS 2081, and everybody was finally equal. They weren't only equal
before God and the law. They were equal every which way. Nobody was smarter
than anybody else. Nobody was better looking than anybody else. Nobody was
stronger or quicker than anybody else. All this equality was due to the 211th,
212th, and 213th Amendments to the Constitution, and to the unceasing vigilance
of agents of the United States Handicapper General.
Some things about living still weren't quite right, though. April for
instance, still drove people crazy by not being springtime. And it was in that
clammy month that the H-G men took George and Hazel Bergeron's fourteen-year-old
son, Harrison, away.
It was tragic, all right, but George and Hazel couldn't think about it very
hard. Hazel had a perfectly average intelligence, which meant she couldn't
think about anything except in short bursts. And George, while his intelligence
was way above normal, had a little mental handicap radio in his ear. He was
required by law to wear it at all times. It was tuned to a government
transmitter. Every twenty seconds or so, the transmitter would send out some
sharp noise to keep people like George from taking unfair advantage of their
brains.
George and Hazel were watching television. There were tears on Hazel's
cheeks, but she'd forgotten for the moment what they were about.
On the television screen were ballerinas.
A buzzer sounded in George's head. His thoughts fled in panic, like bandits
from a burglar alarm.
"That was a real pretty dance, that dance they just did," said
Hazel.
"Huh" said George.
"That dance-it was nice," said Hazel.
"Yup," said George. He tried to think a little about the
ballerinas. They weren't really very good-no better than anybody else would
have been, anyway. They were burdened with sashweights and bags of birdshot,
and their faces were masked, so that no one, seeing a free and graceful gesture
or a pretty face, would feel like something the cat drug in. George was toying
with the vague notion that maybe dancers shouldn't be handicapped. But he
didn't get very far with it before another noise in his ear radio scattered his
thoughts.
George winced. So did two out of the eight ballerinas.
Hazel saw him wince. Having no mental handicap herself, she had to ask
George what the latest sound had been.
"Sounded like somebody hitting a milk bottle with a ball peen
hammer," said George.
"I'd think it would be real interesting, hearing all the different
sounds," said Hazel a little envious. "All the things they think
up."
"Um," said George.
"Only, if I was Handicapper General, you know what I would do?"
said Hazel. Hazel, as a matter of fact, bore a strong resemblance to the
Handicapper General, a woman named Diana Moon Glampers. "If I was Diana
Moon Glampers," said Hazel, "I'd have chimes on Sunday-just chimes.
Kind of in honor of religion."
"I could think, if it was just chimes," said George.
"Well-maybe make 'em real loud," said Hazel. "I think I'd
make a good Handicapper General."
"Good as anybody else," said George.
"Who knows better than I do what normal is?" said Hazel.
"Right," said George. He began to think glimmeringly about his
abnormal son who was now in jail, about Harrison,
but a twenty-one-gun salute in his head stopped that.
"Boy!" said Hazel, "that was a doozy, wasn't it?"
It was such a doozy that George was white and trembling, and tears stood on
the rims of his red eyes. Two of of the eight ballerinas had collapsed to the
studio floor, were holding their temples.
"All of a sudden you look so tired," said Hazel. "Why don't
you stretch out on the sofa, so's you can rest your handicap bag on the
pillows, honeybunch." She was referring to the forty-seven pounds of
birdshot in a canvas bag, which was padlocked around George's neck. "Go on
and rest the bag for a little while," she said. "I don't care if
you're not equal to me for a while."
George weighed the bag with his hands. "I don't mind it," he said.
"I don't notice it any more. It's just a part of me."
"You been so tired lately-kind of wore out," said Hazel. "If
there was just some way we could make a little hole in the bottom of the bag,
and just take out a few of them lead balls. Just a few."
"Two years in prison and two thousand dollars fine for every ball I
took out," said George. "I don't call that a bargain."
"If you could just take a few out when you came home from work,"
said Hazel. "I mean-you don't compete with anybody around here. You just
sit around."
"If I tried to get away with it," said George, "then other
people'd get away with it-and pretty soon we'd be right back to the dark ages
again, with everybody competing against everybody else. You wouldn't like that,
would you?"
"I'd hate it," said Hazel.
"There you are," said George. The minute people start cheating on
laws, what do you think happens to society?"
If Hazel hadn't been able to come up with an answer to this question, George
couldn't have supplied one. A siren was going off in his head.
"Reckon it'd fall all apart," said Hazel.
"What would?" said George blankly.
"Society," said Hazel uncertainly. "Wasn't that what you just
said?
"Who knows?" said George.
The television program was suddenly interrupted for a news bulletin. It
wasn't clear at first as to what the bulletin was about, since the announcer,
like all announcers, had a serious speech impediment. For about half a minute,
and in a state of high excitement, the announcer tried to say, "Ladies and
Gentlemen."
He finally gave up, handed the bulletin to a ballerina to read.
"That's all right-" Hazel said of the announcer, "he tried.
That's the big thing. He tried to do the best he could with what God gave him.
He should get a nice raise for trying so hard."
"Ladies and Gentlemen," said the ballerina, reading the bulletin.
She must have been extraordinarily beautiful, because the mask she wore was
hideous. And it was easy to see that she was the strongest and most graceful of
all the dancers, for her handicap bags were as big as those worn by two-hundred
pound men.
And she had to apologize at once for her voice, which was a very unfair
voice for a woman to use. Her voice was a warm, luminous, timeless melody.
"Excuse me-" she said, and she began again, making her voice
absolutely uncompetitive.
"Harrison Bergeron, age fourteen," she said in a grackle squawk,
"has just escaped from jail, where he was held on suspicion of plotting to
overthrow the government. He is a genius and an athlete, is under-handicapped,
and should be regarded as extremely dangerous."
A police photograph of Harrison Bergeron was flashed on the screen-upside
down, then sideways, upside down again, then right side up. The picture showed
the full length of Harrison against a
background calibrated in feet and inches. He was exactly seven feet tall.
The rest of Harrison's appearance was
Halloween and hardware. Nobody had ever born heavier handicaps. He had outgrown
hindrances faster than the H-G men could think them up. Instead of a little ear
radio for a mental handicap, he wore a tremendous pair of earphones, and
spectacles with thick wavy lenses. The spectacles were intended to make him not
only half blind, but to give him whanging headaches besides.
Scrap metal was hung all over him. Ordinarily, there was a certain symmetry,
a military neatness to the handicaps issued to strong people, but Harrison looked like a walking junkyard. In the race of
life, Harrison carried three hundred pounds.
And to offset his good looks, the H-G men required that he wear at all times
a red rubber ball for a nose, keep his eyebrows shaved off, and cover his even
white teeth with black caps at snaggle-tooth random.
"If you see this boy," said the ballerina, "do not - I
repeat, do not - try to reason with him."
There was the shriek of a door being torn from its hinges.
Screams and barking cries of consternation came from the television set. The
photograph of Harrison Bergeron on the screen jumped again and again, as though
dancing to the tune of an earthquake.
George Bergeron correctly identified the earthquake, and well he might have
- for many was the time his own home had danced to the same crashing tune.
"My God-" said George, "that must be Harrison!"
The realization was blasted from his mind instantly by the sound of an
automobile collision in his head.
When George could open his eyes again, the photograph of Harrison
was gone. A living, breathing Harrison filled
the screen.
Clanking, clownish, and huge, Harrison
stood - in the center of the studio. The knob of the uprooted studio door was
still in his hand. Ballerinas, technicians, musicians, and announcers cowered
on their knees before him, expecting to die.
"I am the Emperor!" cried Harrison.
"Do you hear? I am the Emperor! Everybody must do what I say at
once!" He stamped his foot and the studio shook.
"Even as I stand here" he bellowed, "crippled, hobbled,
sickened - I am a greater ruler than any man who ever lived! Now watch me
become what I can become!"
Harrison tore the straps of his handicap
harness like wet tissue paper, tore straps guaranteed to support five thousand
pounds.
Harrison's scrap-iron handicaps crashed to
the floor.
Harrison thrust his thumbs under the bar of
the padlock that secured his head harness. The bar snapped like celery. Harrison smashed his headphones and spectacles against
the wall.
He flung away his rubber-ball nose, revealed a man that would have awed
Thor, the god of thunder.
"I shall now select my Empress!" he said, looking down on the
cowering people. "Let the first woman who dares rise to her feet claim her
mate and her throne!"
A moment passed, and then a ballerina arose, swaying like a willow.
Harrison plucked the mental handicap from
her ear, snapped off her physical handicaps with marvelous delicacy. Last of
all he removed her mask.
She was blindingly beautiful.
"Now-" said Harrison, taking her
hand, "shall we show the people the meaning of the word dance?
Music!" he commanded.
The musicians scrambled back into their chairs, and Harrison
stripped them of their handicaps, too. "Play your best," he told
them, "and I'll make you barons and dukes and earls."
The music began. It was normal at first-cheap, silly, false. But Harrison snatched two musicians from their chairs, waved
them like batons as he sang the music as he wanted it played. He slammed them
back into their chairs.
The music began again and was much improved.
Harrison and his Empress merely listened to the music for a while-listened
gravely, as though synchronizing their heartbeats with it.
They shifted their weights to their toes.
Harrison placed his big hands on the girls
tiny waist, letting her sense the weightlessness that would soon be hers.
And then, in an explosion of joy and grace, into the air they sprang!
Not only were the laws of the land abandoned, but the law of gravity and the
laws of motion as well.
They reeled, whirled, swiveled, flounced, capered, gamboled, and spun.
They leaped like deer on the moon.
The studio ceiling was thirty feet high, but each leap brought the dancers
nearer to it.
It became their obvious intention to kiss the ceiling. They kissed it.
And then, neutraling gravity with love and pure will, they remained
suspended in air inches below the ceiling, and they kissed each other for a
long, long time.
It was then that Diana Moon Glampers, the Handicapper General, came into the
studio with a double-barreled ten-gauge shotgun. She fired twice, and the
Emperor and the Empress were dead before they hit the floor.
Diana Moon Glampers loaded the gun again. She aimed it at the musicians and
told them they had ten seconds to get their handicaps back on.
It was then that the Bergerons' television tube burned out.
Hazel turned to comment about the blackout to George. But George had gone
out into the kitchen for a can of beer.
George came back in with the beer, paused while a handicap signal shook him
up. And then he sat down again. "You been crying" he said to Hazel.
"Yup," she said.
"What about?" he said.
"I forget," she said. "Something real sad on television."
"What was it?" he said.
"It's all kind of mixed up in my mind," said Hazel.
"Forget sad things," said George.
"I always do," said Hazel.
"That's my girl," said George. He winced. There was the sound of a
rivetting gun in his head.
"Gee - I could tell that one was a doozy," said Hazel.
"You can say that again," said George.
"Gee-" said Hazel, "I could tell that one was a doozy."
"Harrison Bergeron" is copyrighted by Kurt Vonnegut, Jr., 1961.
Name: _______________ Period: _____ Date: __________
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